16¢ per $1
Artists receive 16 cents of every dollar their music generates. A million streams pays between $3,000 and $5,000, and international publishing royalties can take 12 to 18 months to arrive.
How EVEN gave artists a direct line to the fans streaming never let them reach.
The recorded music market generates $29.6 billion a year, and artists see 16 cents of every dollar. EVEN built a direct-to-fan platform on a dedicated Avalanche L1, where artists own the fan relationship and get paid the same day they earn it.
Music & EntertainmentDirect-to-FanGlobalDedicated L1
과제의 규모
Zero fan data
Streaming platforms own the fan relationship. An artist with a million monthly listeners cannot contact a single one. The data belongs to the platform, not the person who made the music.
$4.5B market
Goldman Sachs sizes the addressable superfan market at $4.5 billion. These fans already spend 105% more on physical music and 126% more on merch than average listeners. The demand was always there.
A fan who can finally pay what the music is worth.
In January 2026, NBA star Kyrie Irving paid $11,001 for an album. The album was made by LaRussell, an independent rapper from Vallejo, California, with around 500,000 monthly Spotify listeners and no Billboard chart history. Snoop Dogg bought a copy for $2,500. Cedric the Entertainer paid $1,000. None of them needed a label to make it happen.
LaRussell sold it on EVEN, where fans set their own price, and within 24 hours he sold 1,000 copies and generated $57,000, the equivalent of roughly 14 million streams on a major platform. It wasn't a one-off experiment. It was his fifteenth-plus release on EVEN. His first, back in 2022, turned $10,000 a year in streaming income into $95,000 in four weeks.
EVEN gives artists a 7-to-14-day sales window before releases hit streaming. Fans pay what they want. In return, they get access the public doesn't: early content and reserved concert seats. Artists receive daily payouts in local currency and, for the first time, keep their fan data. The platform sits alongside the streaming ecosystem as a parallel, higher-margin revenue layer.
Why a dedicated L1
A general-purpose public chain is a shared resource. When 150,000 fans try to access a major release at the same time, shared infrastructure is the last thing you want. EVEN's dedicated L1 deployed with AvaCloud solves this at the network level: one application, finality in under a second. The platform adds 50,000 new artists every week. The chain is built to keep up.
The infrastructure is also what makes EVEN's Billboard eligibility real. Every transaction is time-stamped and immutable, giving Luminate independently verifiable sales records. The music industry loses an estimated $2 billion a year to streaming fraud, and on-chain records remove that attack surface.
- Fan experience. Fans sign up with an email and pay by credit card. The chain stays invisible.
- Near-instant finality. One application, no competing traffic. The chain handles 150,000 fans hitting a release at once without slowing down.
- Immutable sales records. Every purchase is on-chain and independently verifiable. Those are the records Luminate uses to certify Billboard eligibility.
- Programmable ownership. Token-gated access and on-chain fan passports let artists build persistent relationships that follow the fan across every release.
What this infrastructure means for the music industry
With a proven ownership layer, EVEN brings labels and distributors onto the platform without rebuilding compliance infrastructure for each one. Over 3,000 labels and distributors across 110+ countries are already live. In February 2026, Universal Music Group signed a multi-year agreement making EVEN its direct-to-fan platform across all UMG labels and artists worldwide. The first result: Wale reached the Billboard Top 20, with his fan audience growing 300%+ in a single release week. Every major music company is now building a competing tool. EVEN had a three-year head start.